When the makers of this film had announced the title of this film, it had carried a sense of inquisitiveness about the title and what’s the prominence about. Usually, a protagonist goes on the hunt of some baddies to settle the scores and this was the impactful meaning that was predominantly perceived through this movie. But somewhere, it had aroused a sort of curiousness with the second theatrical trailer. So the famous proverb inspiring the film’s title had entitled with lots of responsibilities on filmmaker Sathya Prabhas, elder brother of Aadhi.
The film is about an ordinary youngster (played by Aadhi), who belongs to a middle class family. He is so much bonded to a bunch of high class rich friends. During a New Year party, two of his friend try to click pictures on a beautiful girl (played by Riccha Pallod) and when her boyfriend tries to confront them, they indeed attack him. Since the friend who clicked picture on her is the son of a reputed MP, even the cops come in aid of him and they in turn humiliate both Richa and her boyfriend. But sooner, these friends get a terrible shock with some incidents haunting them for this single act and even the most powerful politicians are unable to save their sons. Aadhi becomes the first prey and what actually relates him to the Mumbai’s most reputed don Mudhaliyar (Mithun Chakraborty) forms crux of the story.
It’s been a long time we saw Aadhi on the screens and he comes back with a decent spell. He has everything to perform on the grounds of action, emotions and romance. Nikki Galrani on her part gets the best things that would attract the guys with her chirpy nature. Mithun Dhadha is incredibly excellent. Pasupathy is excellent. Kitty is extraordinary and Nasser takes a sleep walk through his role. Others in the cast, especially the ones playing the close friends of Aadhi are splendidly promising.
Technically, the musical score employs lots of importance to the film and cinematography gives a rustic and colourful feeling as well. Editing is mind-blowing that keeps the narration of Sathya Prabhas in a much excellent manner. The last few minutes of this film reminds us off some Telugu film flavour and if it was delivered with good crispiness, it would have been more enhancing.
On the whole, Yagavarayinum Naa Kaaka is a film that encompasses gripping emotional thrill elements with few twists and surprises along with suspense. Every character has its play of surprisal and stunning acts and technically brilliant drama.
Verdict: Promising debut for Sathya Prabhas and comeback by Aadhi
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