It is an old type of story. There is an issue between the two villages in drawing a car on the occasion of village festival. At the same time, there is love between the boy who belongs to prime family of one village and the girl who belongs to the prime family of another village.
Radharavi(the village chairman) brings up his nephew (his younger brother’s son)Vimal as his own son. While the enmity is prevailing between the two villages on car drawing, Radharavi’s daughter Madhubala falls in love with Jeyaprakash’s son Vishnu who belongs to opposite village. Vimal comes to know about this love affair who uses to break up the love affairs in the village on the advice of his uncle Radharavi.
On this occasion, Vimal falls in love with lawyer Anjali who is the sister of Vishnu. Hence, he supports the love of his sister Madhubala. At this crucial juncture, Radharavi arranges marriage for his daughter with another bridegroom. Finally, the two pairs join in life after some tussles. They draw the car together.
Vimal bears his usual role in this film also. However he scores pass mark in his performance. Anjali also makes us happy through her performance. The three men team including Suri, KaaliVenkat and white driver Bell support this story very well to make it enjoyable. MunishKanth also played his part very well.
We know that Radharavi is an ever green performer in the character of prestigious village man. Though he comes just in only two scenes, Pandiyarajan performs well. Madhubala also attracts us. Ragunanthan music is ok. The song ‘ethukku machaan kaadalu’ is noticeable. The work of camera man Dharun Balaji is appreciable.
We cannot denote anyone in this film as a new style. However, director Rajasekar makes us little delight in comedy.