It is the debut film as a director for Selvaragavan’s wife Geethanjali. As the story of this film is belonging to Selvaragavan, the film seems as his same flavor.
Balakrishnan is the hero of this film, rich and a longer of female friendship. He has below average appearance. Vaamika, the heroine of this film is a colloquial and ethical lady. She gets married to Balakrishnan without consent as she was compelling by her mother as she met with love failure.
She forbade sex in the first day of their married life. So, Balakrishnan becomes affected by suspicion and deserted feelings and starts to torture his wife and himself too. After 2 years, when Vaamika starts to get closer to her husband, she experiences rape by her inebriated husband. How this incident changes their life? – Climax will tell the remaining story.
This film resembles the old films like ‘Padithaalmattumpothumaa’, ‘Mounaraagam’ and ‘Megamkaruthirukku’. Selvaragavan and his wife Geethanjali tried to present the same story by coping up with today’s trend.
The main sources of this film are Balakrishnan and Vaamika. They dominate all over the film. As Balakrishnan mingles with the story, we could enjoy his performance. He reflects the particular category of youths.
The performance of Vaamika is appreciable. But in some scenes, she looks aged and her mother KalyaniNatarajan looks young. As a whole, all family heads of this film are desirable.
They teach lesson through this film that whether it is a love marriage or arranged marriage or one side love marriage, there should be the adjustments in the family life according to the situations. Otherwise, they must take decision earlier.
Despite, this film is coming from the lady director, there are sexual oriented scenes and dialogues prevail in this film. This type of attempt from Geethanjali shocks and surprises us.
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